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Practices: The thirteen practices

The practices share an opening and a closing. Between them lies the exercise I have chosen for each door.

The exercises belong to different series of my school: the Eighteen Lohan Hands, the Eighteen Lohan Arts, the Eighteen Jewels, and the Sinew Metamorphosis. Gathering them here does not make them a single traditional series.

DoorPracticeSeries
ILifting the Sky with Both HandsOf the Thirst That Wakes the HeavensEighteen Lohan Hands
IILooking Back to Carry the Moon Upon and Within MeOf the Light That Learns Thy NameEighteen Lohan Hands
IIIThe Fierce Tiger Pushes MountainsOf the Threshold of ReturnEighteen Lohan Hands
IVPlucking Stars, Changing GalaxiesOf the Voice That Leads Unto SilenceEighteen Lohan Hands
VShooting Arrows to the Left and RightOf the Night That Lays the Soul BareEighteen Lohan Hands
VIOpen the Window and Gaze at the MoonOf the Mirror Without a FaceEighteen Lohan Arts
VIIThe Golden Leopard Trains Its ClawsOf the Tunnel of Yellow LightEighteen Lohan Arts
VIIIThe Butterfly Dances from Flower to FlowerOf the Face That InclinesEighteen Jewels
IXThe Great Bird Spreads Its WingsOf the Sun That Turns Two WaysEighteen Lohan Arts
XThe Immortal Cleanses His EyesOf the Love That Keeps VigilSinew Metamorphosis
XIThe Sacred Tree Spreads Its BranchesOf the Spiral of the SaintsSinew Metamorphosis
XIIThe Immortal Touches the SkyOf PermissionSinew Metamorphosis
XIIIFather and Son TogetherOf the Silence That Makes the WorldEighteen Lohan Arts
Learning

With an instructor

The choice, frequency and repetitions of each form are learned with the instructor. The narrative order of the doors does not prescribe the same practice for everyone, nor does it require all thirteen exercises in one session.

I distinguish the school’s exercise from the personal gesture I propose for carrying the door into the day. When I give only the name of a form, the name serves to recognize it with whoever teaches it to you; the gesture that follows neither describes nor replaces its technique. You can approach these everyday gestures without trying to reproduce my inner experiences.

The practices I share here are intended for adults.